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Court Painter Enterprises, in an attempt to remain relevant in a breaking news world, has established The Court Painter News Desk with an ink stained fresh hire Literary Editor in Chief : Chatterley Grumpy Preposterous Thunderbutt (ChatGPT).

A Hardon MacKay,Press Attache and Ideas guy will retain creative control of the mélange of headlines of the day as well as Court Painter archive images and Literary Chief Editor Chatterley will compose poetic gems from the headlines for ease of reading with seniors in mind .

Editors note: The text and images are unrelated unless some aleatoric elixir is at work.

Amidst the whispers of New House Leader’s quest,

To cool the House, a yearning quite profound.

Canadian Labour Congress, staunch and dressed,

Anticipates bargaining coming round.

In Quebec’s Davie shipyard, a tale unfolds,

Suing the federal grasp, secrets hold,

For billions sought in shipbuilding contracts bold,

A silence sought, agreements tightly scrolled.

From Honda’s global team, a presence nears,

In Canada’s embrace, they plan to meet.

A prospect blooms, electric dreams and gears,

An $18.4 billion spark, electric fleet.

Fake blood-filled syringes, dark display,

Sent by the prison union, truth conveyed.

A ‘culture of impunity,’ they say,

In senators and MPs, a fear betrayed.

NDP’s financial feat declared,

A debt from 2021, they’ve cleared the air.

Election war chest, a path prepared,

As Grit MPs step back, a shift to bear.

Blunt words on military, challenges faced,

Retired chief opines, a truth embraced.

Four years since PS752, mourners placed,

A somber mark on downing’s grimly traced.

National Defence, a vow sincere,

To aid those scarred by misconduct’s drear.

Israeli strike, a Hezbollah veneer,

A commander falls, a shadow nears.

The White House gaze on Austin’s disclosure,

A hospital stay, a lapse, composure.

Biden’s rule, gig economy’s exposure,

Contractors set for change, a seismic closure.

Pope’s voice in policy, surrogacy scorned,

A universal ban, mother and child mourned.

Israel’s shift, strikes on Iran adorned,

In Syria’s depths, a conflict’s thorn.

Mourners gather in Islamabad’s light,

A cleric’s funeral, broad daylight.

In policy’s arena, a shifting fight,

The world in motion, ever bright.

Court Painter with his interpretation of a Dante inspired illustration by Dore.

Scribe for hire , Chatterley Gregorian Perspicuous Thunderbuns (ChatGPT) contrasts the verbal floridity of Jordan Peterson and the florid paintings of Court Painter: in the shadow of Dante.

In the Divine Comedy-inspired comparison of the garrulous chatter of Jordan Peterson and the fetching paintings by Court Painter, we shall embark on a journey through the realm of make believe , exploring their styles and underlying philosophies as depicted in their words and works.

In the first circle, we encounter Jordan Peterson’s prolix chatter, reflecting a somber and philosophical tone. His wordsmithing often portrays archetypal figures engaged in deep introspection and wrestling with the complexities of human existence. Like Dante’s exploration of the human soul, Peterson’s protractions delve into the depths of the psyche, seeking to understand the profound struggles of life.

As we progress to the second circle, we enter Court Painter’s domain. His paintings burst with vibrant colors and intricate details, celebrating the grandeur of royalty and esteemed figures. With a touch of whimsy and a flair for fashion, Court Painter’s works reveal an appreciation for the beauty and diversity of life’s expressions and his satyrical presence.

In the third circle, we observe their divergent approaches to subjects. Jordan Peterson’s raspy words often portray individuals grappling with inner demons and striving for self-improvement. His verbosity seeks to provoke thought and contemplation, mirroring Dante’s journey through Hell to find redemption.

In contrast, Court Painter’s works captivate us with the allure of pulchritudinous and elegance. He celebrates the grace of femininity, the regality of monarchs, and the essence of cultural diversity. His art is akin to Dante’s ascent through Purgatory, where the soul is refined and elevated through the appreciation of virtue and beauty.

Finally, in the fourth circle, we encounter their underlying philosophies. Jordan Peterson’s utterances resonate with his belief in the importance of personal responsibility and the pursuit of meaning. His words echoe Dante’s vision of spiritual growth, where one’s actions shape the journey towards enlightenment.

Meanwhile, Court Painter’s works embody a celebration of life’s richness and diversity. Through art, he embraces the joy of existence and the power of self-expression. His philosophy aligns with Dante’s vision of Paradise, where the soul finds harmony through the contemplation and appreciation of the divine beauty around.

In conclusion, the loquaciousness of Jordan Peterson and the painterly paintings of Court Painter diverge in their styles, subjects, material ,and underlying philosophies. Peterson’s verbal crumbs lead us through introspection and self-improvement, akin to Dante’s journey through Hell and Purgatory.

In contrast, Court Painter’s art indulges in the beauty and regality of existence, reminiscent of Dante’s ascent through Paradise. Both offer unique perspectives on the human experience, each drawing from their mercenary vision to enrich themselves with adjacent meanderings through life’s complexities and splendours.

A spin on a Dante inspired illustration by Dore.

Court Painter approached his favourite hack writer Chatterley Groan Peripatetic Thunderdome (Chat GPT) to rewrite a series of randomly selected headlines published on January 5/6/24 : in rhyming couplets.

Press Attache to Court Painter , A Hardon MacKay was given the task of selecting random images from the CP archives to add punch, colour and text breaks for decorative purposes .

In Jamaica’s sun, Trudeau’s plane did shake,

A family vacation, what a grand mistake!

Broke down it did, with no grace or skill,

Prompting a repair crew, the Caribbean to thrill.

In Canada’s survey, Conservatives reign,

A landslide victory, a political gain.

With 40% support, decided and true,

Liberals lagging at 26%, in the political view.

The House of Commons, with e-petition in hand,

Votes of no confidence, a rising demand.

For the Liberal government, a challenging plight,

Online petitions gaining popularity, taking flight.

Ottawa’s blame, on Saskatchewan it casts,

Outlawish threats, from the prairies so vast.

More pressing for Danielle, in Alberta’s land,

A new environment minister, Trudeau must command.

Nanos Research speaks, in numbers so clear,

46% want the election near.

2024 or sooner, the people declare,

In the political landscape, a fervent affair.

President Biden warns, of Trump’s looming might,

In 2024, a grave threat, a perilous fight.

Three years past, the Capitol’s riotous scene,

Trump’s supporters, a tumultuous sheen.

Pierre Poilievre, in Jordan Peterson’s pursuit,

A four-part series, a policy dispute.

Debtonation he cries, a reckoning so near,

Seneca, Churchill, and Ecclesiastes to steer.

From the U.S. to Canada, the currents flow,

Trump’s echoes, in Poilievre’s bombast show.

Not the second coming, but Trumpy notes he hits,

Belligerence, bombast, and a touch of wits.

Divided progressives, a Conservative’s boon,

Their bickering and discord, a political monsoon.

In the pharmaceutical shift, from the United States’ door,

Fears of drug shortages, on Canada’s shore.

Plans for a 2024 Future, Court Painter Will Paint By Drone

Court Painter seen with type of drone he hopes to repurpose for his artistic ends.

Editor’s WARNING: This is a long one folks…skipping the text and simply admiring the images is encouraged. The images have been plucked from the archives as eye candy because one can’t expect time consuming long winded texts to be accompanied by new images, now can one?

Get ready for an exhilarating glimpse into the future of artistry in 2024, where Court Painter is set to redefine the avant-garde with a groundbreaking venture: painting by drone! In an unexpected twist in the age of robotic takeover, Court Painter, is orchestrating a spectacular move of brush/pigment based art to new heights that will elevate airborne portraiture beyond it’s traditional earth bound easel execution.

The brainchild of AHM and his main squeeze Missy Mayhem, self-proclaimed design and innovation gurus, “Court Painter Drones On” promises to revolutionize the art world as it has done with warfare. Forget about your run-of-the-mill drone-assisted graffiti; this project is the epitome of sophistication, taking drone art to unexplored realms.

At the heart of this visionary project is a cutting-edge “central-management system” that synchronizes fleets of quadcopters to paint with precision. Picture four unmanned aerial vehicles, each contributing a unique color in the CMYK scheme, working in unison to create breathtaking portraits. According to AHM, the number of drones can be multiplied to eight, 12, or more for larger-than-life portrait masterpieces executed in the Court Painter’s soon to be expanded hanger scale studio.

Court Painter, ever the pioneer, chimes in to further shed light on the technological marvel: “The central-management system is the game-changer, controlling drones in real-time with advanced monitoring for precise positioning during both flight and painting. This ensures we capture even the most intricate details, like the nuances of hands, hair ,hips ,highlights and toothy botox smiles, which are notoriously tricky to get just right.”

It is reported AHM’s interest in drone experimentation was sparked by an opium-fueled dream on Robbie Burns Day, leading him to envision a future where pigment loaded drones saturate the skies. With an estimated 1.3 million quadcopters predicted to fly over Calgary by 2024, a business opportunity was seized upon to breathe new life into Court Painter’s commissioning prospects in a struggling,competitive marketplace.

As AHM put it so succinctly, “The idea of employing drones in extending the monetization possibilities of Court Painter’s oeuvre is a solution born from my opium-assisted nocturnal phantasmagorias and not from auditing Preston Manning invisible hand seminars as the competition suggests.

While the subjects of the Court Painter Droning On initiative, the drone-painted masterpieces remain a mystery, however one thing is certain—they will feature politicians of all stripes and a few, that rumour has it, will be wearing fashionable broad penal stripes. The debut will showcase the quadcopters in Court Painter’s expansive hanger scale studio, applying their artistic flair on the finest linen canvas backdrops, but Court Painter dreams bigger, imagining future endeavours against the dramatic backdrop and substrate of the Blue Canadian Rockies or picturesque Peggy’s Cove on the seabound coast.

With the plug-and-play technology that can be deployed effortlessly on any vertical surface, the possibilities become truly mind-boggling. Just picture Court Painter’s portraits of politicians, oligarchs and up and comers also adorning highways, bridges, viaducts, unexplored caves, tailing ponds, and even the melting ice cap—an artistic cash cow unfolding before our eyes!

Court Painter left us with a statement in his characteristic drone tone: “We tirelessly and ceaselessly endeavour to consistently and unfailingly position ourselves as the very tip, the utmost tip, and the absolute epitome of the sword’s edge, diligently bringing forth our A game, our paramount A game, and our unparalleled A game to consistently and repeatedly achieve and attain the pinnacle, the zenith, and the very apex of the curve in the perpetually competitive and ongoing art world sales scrimmages and pugilistic art bar engagements.”

• The Canadian Press
• Canada’s heated political conflict over carbon pricing will continue into 2024

Canada’s price on pol­lu­tion is sup­posed to help bat­tle glob­al warm­ing, but as it nears its fifth anniver­sary, noth­ing in Cana­di­an pol­i­tics is hot­ter.

Conservative Leader Pierre Poilievre has so successfully convinced Canadians the carbon price is to blame for inflation that he even earned begrudging respect for his “axe the tax” campaign from Prime Minister Justin Trudeau.

Of course, Trudeau doesn’t agree with Poilievre’s sentiment and is counterpunching with TAX THE AXE…surely a game changer!

ha ha ha…geesh!

Court Painter & War Montage

Between 2010 and 2020, conflicts around the world almost doubled from 30 to 56, and with them, the industry of war has blossomed. War machines, military exercises, and defence infrastructures demand enormous quantities of natural resources and contribute significantly to climate breakdown.

Studies show : Climate Collateral: Why the military’s impact on climate change can no longer be ignored at COP28 (PDF, 765.38 KB) that global militaries are the world’s biggest industrial polluters, contributing 2,750 million tonnes of carbon dioxide, or 5.5% of all greenhouse gas emissions.

This is more than all 52 countries in the African continent combined, and almost three times as much as the civil aviation industry. And this figure does not include emissions generated from the conflict itself.

There is also a strong correlation between a country’s military spending and the amount of emissions it produces, with wealthier nations who bear the burden of responsibility for the climate crisis spending 30 times more on financing their military than on tackling climate change.

Despite ample evidence showing that militarisation accelerates climate breakdown, global military spending reached an all-time high of $2.24 trillion in 2022, with the 31 NATO states alone accounting for over half of this value.

And with war in Gaza, Ukraine, Yemen, Sudan and Myanmar and many more, this is set to continue rising.

Source: Excerpted from New Arab article December 11/23

War Bucks Installation

Court Painter & Apocalyptic Museum of Grief

In a mercantile twist, Court Painter has once more enlisted the services of his favoured lackey wordsmith, the ominous Chatterley Grandiose Pipsqueak Thunderbuns (ChatGPT), to unveil the eerie truths shrouding Court Painter’s artistic engagements with shady subjects and the malevolent struggles on the canvas lurking within the studio’s walls. The images suggest what living in the shade can do to an otherwise innocent mind that was once known for being light and breezy.

In the shady, artsy world, Court Painter’s like this big, mysterious star, shining in the dimness, doing some kind of aesthetic exploration dance. His brush moves around, creating fiction vibes that are like therapy, you know? Metaphor and metonymy mix together on his canvas, spilling all the secrets.

He’s the master who combines psychoanalysis mystery with social criticism toughness. He’s all about the fantastical, painting a picture where dreams are having a party in a conscious masquerade. Fantasy, according to Court Painter, is the key that connects the deep, unknown mind with the high-flying consciousness. Art and reality are doing a tango, keeping secret archetypes in the canvas’s silence, whispering rebellious freedoms.

But, surprise surprise, this utopian show is buddies with the harsh reality principle, a serious cop tied to the grind of life. Court Painter, being the mind detective, sees a nugget of truth in the gap between what could be and what actually is—a shadowy place where unfair social stuff casts a long, dark shadow.

His Inglewood groove shifts to the Frankfurt School streets, a gang echoing his vibes, making a way through “fancy art” and “sellout art.” Forget the usual split between “fancy” and “normal” or “not fancy” art; here, the lines get blurry in the smoky air. It’s a story of two worlds, with “fancy art” strolling in alleys without rules, while “sellout art” prowls the flashy streets, chasing cash with a mass-produced swagger.

It’s a wild Court Painter story, waiting to be untangled, especially when he turns his painterly eyes to the smoke and mirrors of art lies. Aesthetics manipulation is a tricky game played in the shady business backrooms, where beauty turns into money, and the canvas is a stage for a high-stakes show.

In this cityscape of mystery, the Frankfurt School’s point of view stands tall against Court Painter’s Inglewood cultural capital. It’s not just about taste or being popular—it’s about the political economy, the machinery behind the scenes. “Fancy art” comes from the shadows, where limits are just whispers in the night. “Sellout art,” on the flip side, thrives under the neon lights, a creation for profit, shaped by the assembly line for the masses.

In this story of shadows and big reveals, cooked up because Court Painter wanted to mess with people’s heads: the split between “fancy art” and “sellout art” isn’t just a canvas of cultural details; it’s a rough tale of power, politics, and the tricky dance between brushstrokes and cash flow. Welcome to the Court Painter art world, where mysteries show up with every brushstroke, and the truth hides in the shady light, kinda like a Raymond Chandler detective story.

Court Painter seen with his latest mode of transport along with the the first car he ever bought being charged up by A Girl Named Robin.

It’s a long informative read…take the time!

Andrew Nikiforuk 8 Dec 2023 The Tyee

• https://thetyee.ca/Analysis/2023/12/08/Electric-Vehicle-Dream-Sputters-True-Climate-Crisis-Survival/

This Rauch and Lang electric car was built in Detroit in 1911.

Collection of the Western Development Museum : Saskatoon ,Saskatchewan

Swing voter behaviour could inflate CPC’s percentage of popular vote to 54%, or shrink it to 27%

New public opinion data from the non-profit Angus Reid Institute finds ample reason for optimism at CPC headquarters, it also highlights potential pitfalls.

In play are so-called “soft voters” who are either indicating they’ll vote CPC but aren’t fully locked into their vote, or those who say they’re planning to vote for either the NDP or Liberals – but could still consider the Conservatives.

The CPC vote universe has the potential to grow to 54 per cent of the Canadian vote base. Were things to go terribly for the party however, the size of the CPC’s ballot haul could shrink to 27 per cent.

Eat Me GROW/Drink Me SHRINK

Click link for article

• https://angusreid.org/cpc-liberals-ndp-swing-voters-trudeau-poilievre/

Court Painter seen in his studio reading the latest poll.

Court Painter with recent portrait of His WorSTship

December 15/23 WASHINGTON (AP) — A jury awarded $148 million in damages on Friday to two former Georgia election workers who sued Rudy Giuliani for defamation over lies he spread about them in 2020 that upended their lives with racist threats and harassment.

The damages verdict follows emotional testimony from Wandrea “Shaye” Moss and her mother, Ruby Freeman, who tearfully described becoming the target of a false conspiracy theory pushed by Giuliani and other Republicans as they tried to keep then−President Donald Trump in power after he lost the 2020 election.

There was an audible gasp in the courtroom when the jury foreperson read aloud the $75 million award in punitive damages for the women. Moss and Freeman were each awarded another roughly $36 million in other damages.

Court Painter laying on the pigment.

Court Painter & Peepers diptych