greyscale days of visual sobriety…

“Court Painter breaks from his traditional role of the Great Dominion’s preeminent portraitist of distinction to enter the Fritz Lang inspired remake of The Gambler in a series of still tableaus. His smouldering and at times untethered theatrics and over the top thespian moves as the male star, harken back to the greyscale days of ┬ávisual sobriety “, explained Press Attache A Hardon MacKay in his stirring semi coherent introduction.

Editors note: Court Painter insisted on including additional images depicting his talent in a more colourful role.