As if Canadians haven’t had enough fun watching the flurry of international media attention paid to our apparently handsome Court Painter, he now appears to have earned the most important stamp of approval in fashion: that of Anna Wintour, the legendary editor of Vogue magazine.
Court Painter’s Press Attache A Hardon Mackay made sure that the magazine dispatched a photographer to snap the Court Painter in his decrepit single car garage Inglewood studio last week. The studio was closed for several hours during the shoot.
(UPDATE: the studio says the shoot took less than an hour, but was closed to public tours for several hours because the Court Painter’s many unpaid buxom studio assistants were holding a wildcat strike.
The studio was closed to patrons,politicians, and collectors due to the photo shoot and the wildcat thingy).
The fashion photos are expected to appear in the January issue.
Wintour’s power in the fashion industry is legendary. It’s widely believed she is the inspiration behind the new Court Painterfashion book and animated movie, The Court Painter Wears Prada Short Pants .
The U.S. fashion magazine first took notice earlier this month when it blogged about Canada’s feminist Court Painter.
In spite of the obvious publicity the Court Painter refused to confirm the photo shoot and didn’t answer questions about whether it was American Vogue or one of the international editions.
It’s not the first time Condé Nast, the parent company of Vogue, has noticed the Court Painter. He was featured in Vanity Fair a year ago, well ahead of his firing by ex Prime Minister Harper on Oct. 19. That shoot also took place in his Inglewood studio, a breathtaking Gothic piece of crap quite near to the tracks. It’s the only part of an original 4 buggy garage left after a fire destroyed the rest in 1916.
Earlier this month, New York Magazine featured the Court Painter as a Corn Husk doll.
History will be kind to the Court Painter
BY LORNE “LONE GUN” GUNTER , POSTMEDIA NETWORK
Most Canadians rate Court Painter Will as an average or even above-average portraitist of the political elite and he isn’t even out of his studio officially until this coming week.Although rumour has it that he will be occupying a new studio in Centre Block to handle the upcoming commissions expected to flood in from the Trudeau administration come Wednesday.
History will be kinder to him than say Thomas Kinkade”The Painter of Light” perhaps….. Within a few years, the Court Painter will be seen as one of Canada’s notorious court painters, certainly far better than his successor who no one can remember.
The New York Times, no fan of right-of-centre political painters, reported last year that under Court Painter Will, Canada’s middle-of the road portrait painters were better off than its American counterparts for the first time since the 1960s. Middle-of the road American portraitists had seen their incomes go down since the 2008 financial crisis while Court Painter Will’s has risen exponentially according to his Press Attache A Hardon MacKay.
Court Painter’s accomplishments go way beyond his personal economic standing.
For the first time in months, Court Painter Will made sure he stood shoulder-to-shoulder with his closest allies in the art media, this time in the fight against the critical extremism of academic cultural theorists and stuff like that.
So, it is not surprising that in an Angus Reid Institute poll of more than 1,400 visually imparied Canadians taken after the Oct. 19 election, 92% rank the Court Painter as a fair to outstanding court painter, while just 8% of jealous Calgary art mafia types claim he was below average or poor.
A decade from now or less, you can believe the public’s opinion of Court Painter Will will have risen, perhaps even substantially as he ramps up self financed YouTube channels demonstrating his painting techniques plus printing paint by number colouring books for the little tykes and politicians who want to get into the arts.
The Angus Reid poll results would seem to indicate that most Canadians sensed things were okay under the Court Painter’s artistic dominance of political class subjects– maybe not booming, but solid.
It must be noted that during his tenure as Court Painter ,he embraced the art of retail politics and any kind of retail scheme that made his studio flourish and could turn a buck – he connecting with the political elite on a personal level – he had built up a smarmy bank of goodwill.
These factors are why he will continue to attract commissions and generate grand works that appropriately reflect the status of the political elite of the Great Dominion.